- Dr Andrew Topsfield, Keeper
- Curator of Indian, Himalayan and Southeast Asian art
- Shelagh Vainker, Assistant Keeper
- Curator of Chinese art
- Dr Clare Pollard, Assistant Keeper
- Curator of Japanese art
- Dr Ruth Barnes, Curator of Textiles
- Celine Lai, Christensen Fellow of Chinese Painting
A Symposium in Memory of Dr. Oliver Impey (1936-2005), May 31st 2006
Over the span of his 40 years’ career at the Ashmolean Museum, Oliver Impey (1936-2005) inspired, with his boundless enthusiasm, numerous students and colleagues to pursue their studies of Japanese art. Rather than publishing a festschrift, it seemed appropriate to invite a number of his former pupils and collaborators, on the occasion of what would have been his 70th birthday, to talk about the developments in their field over the past decades. The range of their subjects illustrates the width of Oliver’s interests within Japanese art; so often he managed to kindle a spark in areas that were not even his specialty. It is in this spirit that today has been organised; not so much as a series of academic lectures, but as a string of testimonies to a gifted teacher.
The Symposium in Memory of Dr Oliver Impey is supported by The Cohn Memorial Fund.
Islamic, Indian, and Coptic textiles collected by the Egyptologist Percy E Newberry (1869-1949) at a time when historical textiles were for sale in Cairo and Alexandria. No archaeological context is known for the mainly fragmentary material, but many of the pieces will have come from Fustat, the urban centre that predates the founding of Cairo in 969AD.
Digital images from the unique negative collection of Professor K A C Creswell, the eminent pioneer of medieval Islamic architectural history. The Creswell Archive website also provides links to ArchNet, the website established at the Massachusetts Institute of Technology in co-ordination with the Aga Khan Program for Islamic Architecture, and to the Fine Arts Library at Harvard University.
James Allan, Islamic Ceramics. A survey of Islamic ceramics, from 9th century lustreware, c.16th and 17th century blue and white, to 17th century 'Gombroon ware'. The pieces illustrated are mainly from Turkey or Iran, formerly in the collection of Sir Alan Barlow or Gerald Reitlinger.
Andrew Topsfield, Indian Paintings from Oxford Collections: A selection of the Mughal period (c.1500-1850) paintings from the Ashmolean Museum and the Bodleian Library. The illustrations include examples from Rajput, Deccani and the Mughal schools.
Marianne Ellis, Embroideries and Samplers from Islamic Egypt. The Newberry Collection in the Ashmolean Museum is one of the world's most important collections of medieval Islamic embroideries. Collected during the first three decades of the 20th century, the pieces are mainly from Egypt or Syria. The designs are still clearly visible and the richness of patterns and technical brilliance make them a treasure trove for textile scholars and embroidery enthusiasts alike.
Amy Heller, Early Himalayan Art. This book presents the some important early sculptures and other objects from Tibet and Nepal dating c. 500 – 1400 AD by an eminent authority on Himalayan Art. Dr Amy Heller provides detailed descriptions of some sixty objects in the Ashmolean's collection, and examines the objects in relation to the geography of trade within the Himalayan and neighbouring regions, the antecedents of thee objects in India and the surrounding regions, and developments in the arts from the seventh to fourteenth century.
For further publications please see the Ashmolean Shop