Ashmolean Museum; Services: Publications: Listing (175)

Continuity and Change (h/b)

Twentieth Century Sculpture in the Ashmolean Museum

Jules Flandrin (1871-1947) (p/b)

Illustrated exclusively from private collections in Paris and Grenoble, this book provides an opportunity to view the work of Jules Flandrin, in the context of innovations by which he was both influenced and inspired.

Jules Flandrin (1871-1947) (h/b)

Illustrated exclusively from private collections in Paris and Grenoble, this book provides an opportunity to view the work of Jules Flandrin, in the context of innovations by which he was both influenced and inspired.

English Delftware (h/b), by Anthony Ray

In the course of its 200 year history, English delftware played an increasingly important part in the everyday life of a mainly middle class clientele. This book illustrates 51 examples, the majority from the important collection formed by Robert and Jean Warren.

Glass of Four Millennia (h/b), by Martine S. Newby

An historical survey of the development of glass from Ancient Egypt, Ancient Rome, Islam, Medieval Europe, the 18th and 19th centuries to the present day.

Glass of Four Millennia (p/b), by Martine S. Newby

An historical survey of the development of glass from Ancient Egypt, Ancient Rome, Islam, Medieval Europe, the 18th and 19th centuries to the present day.

J.M.W. Turner (p/b), by Luke Hermann and Colin Harrison

J.M.W. Turner's work is well represented in the Ashmolean. Many of the drawings were presented by Ruskin, having formed part of his special 'study' collections formed whilst Professor of Art. This book examines that collection.

English Delftware (p/b), by Anthony Ray

In the course of its 200 year history, English delftware played an increasingly important part in the everyday life of a mainly middle class clientele. This book illustrates 51 examples, the majority from the important collection formed by Robert and Jean Warren.

Tudor England, by Moira Hook and Arthur MacGregor

In chronological terms this book takes as its starting point the accession of Henry VII in 1485 and concludes with the death of Queen Elizabeth I in 1603.

Chinese Paintings in the Ashmolean Museum, Oxford (p/b)

This catalogue publishes the collection of Chinese paintings in the Ashmolean Museum, with the exception of the 130 works in the Reyes collection.

F. Ernest Jackson and his School

F.E. Jackson (1872–1945) was one of the best-known and influential printmakers of the day.

Chinese Paintings in the Ashmolean Museum, Oxford (h/b)

This catalogue publishes the collection of Chinese paintings in the Ashmolean Museum, with the exception of the 130 works in the Reyes collection.

Twentieth-Century Paintings (h/b), by Katharine Eustace

The collections of twentieth-century paintings in the Ashmolean Museum, Oxford, have developed largely through the generosity of individuals.

Twentieth-Century Paintings (p/b), by Katharine Eustace

The collections of twentieth-century paintings in the Ashmolean Museum, Oxford, have developed largely through the generosity of individuals.

Techniques of Drawing (p/b), by Ursula Weekes

Drawing has long been revered as the most basic skill of the artist and as the foundation of all other arts, for it is in the act of drawing that the artist's creativity finds its first expression.

Worcester Porcelain (p/b), by Dinah Reynolds

'Worcester Porcelain' illustrates in colour a selection of items from the Henry Rissik Marshall Collection of 'First Period' Worcester Porcelain (1751-83), given to the Ashmolean Museum in 1957.

Worcester Porcelain (h/b), by Dinah Reynolds