From Scribble to Cartoon Drawings from Bruegel to Rubens in Flemish Collection
November 2023
|
Chapter
Conste tegen Conste: Drawings as Independent Artworks in the Southern Netherlands
October 2023
|
Chapter
|
From Scribble to Cartoon: Drawings from Bruegel to Rubens in Flemish Collections
drawing
German Design Drawings Explored
March 2023
|
Internet publication
<a href=""></a>
drawings, German, art
Hieronymus Cock's The Cretan Labyrinth
January 2023
|
Chapter
|
Labyrinth: Knossos, myth and reality
SBTMR
Félicien Rops's La dame au cochon
October 2022
|
Journal article
|
Ashmolean Magazine
Review: Renaissance Children: Art and Education at the Habsburg Court (1480-1530)
June 2022
|
Journal article
|
Print Quarterly
Samuel Amsler’s Portrait of Karl Philipp Fohr
October 2021
|
Journal article
|
Ashmolean Magazine
Élisabeth Sonrel's Les rameaux
October 2020
|
Journal article
|
Ashmolean Magazine
A collection of tapestry cartoons at the Ashmolean Museum in Oxford
November 2019
|
Conference paper
|
Le Martyre de saint Paul : Renaissance d’un chef-d’œuvre de papier: Études autour de la restauration d'un carton de tapisserie du XVIe siècle
The Ashmolean Museum in Oxford holds twenty-one fragments of full-sized tapestry cartoons. They were presented to the University of Oxford in 1846 as part of a larger group following a public appeal to acquire Italian drawings from the collection of the British portrait painter Sir Thomas Lawrence (1769–1830). Lawrence had amassed an unrivalled collection of Old Master drawings, including the largest and most important group of Raphael drawings in the world, which is now also at the Ashmolean. Eighteen of the cartoon fragments are preparatory studies for the twelve tapestries of the Scuola Nuova series in the Vatican. The Ashmolean fragments are taken from the full-sized cartoons for the Massacre of the Innocents, the Adoration of the Shepherds, the Adoration of the Magi, the Presentation in the Temple, the Resurrection of Christ and the Ascension of Christ. Three of the fragments, however, cannot be traced to the Scuola Nuova tapestries. These fragments have previously been attributed to a variety of artists, including the Flemish artist Pieter de Kempeneer. This paper will delve deeper into the authorship and the provenance of this astonishing group of cartoon fragments. They will be presented as part of a group of other fragments from the same cartoons, for instance at Christ Church (University of Oxford), the National Galleries of Scotland (Edinburgh), the British Museum and the Foundling Hospital (London).
Jonge Rembrandt
November 2019
|
Edited book
SBTMR
Rembrandt's early works on paper
November 2019
|
Chapter
|
Young Rembrandt
drawings, SBTMR, prints, Rembrandt
Young Rembrandt
November 2019
|
Edited book
Young Rembrandt concentrates on the first ten years of the career of Rembrandt van Rijn (1606-1669). Born in Leiden, he trained there with Isaac van Swanenburg and in Amsterdam with Pieter Lastman. After a short stay in Amsterdam he returned to Leiden and set up a studio where he began his extraordinary career, painting scenes from the Bible and classical mythology and history, as well as a handful of genre scenes and portraits. His progress is remarkable: from the earliest hesitant paintings of the Five Senses in about 1624 to the wonderfully assured Jeremiah of 1630 it is almost possible to trace his development and his increasing fluency and self-confidence from month to month and certainly from year to year. Published to accompany exhibitions at the Lakenhal, Leiden from November 2019 to February 2020, then at the Ashmolean Museum from February to June 2020.
Ger Luijten, Peter Schatborn and Arthur K. Wheelock (eds.), ‘Drawings for paintings in the age of Rembrandt’, Washington and Paris, 2016
June 2017
|
Journal article
|
Burlington Magazine
Hans Bol's 'Emblemata Evangelica'
June 2017
|
Journal article
|
Print Quarterly
Review
Masters of metalpoint in northern Europe
January 2017
|
Chapter
|
Metalpoint Drawings in Northern Europe Technical Examination and Analysis
SBTMR
Introduction
January 2017
|
Chapter
|
Rembrandt lightening the darkness
Review: The power of prints, the legacy of William M Ivins and A Hyatt Mayor, exhibition catalogue The Metropolitan Museum of Art and Archaeology New York
October 2016
|
Journal article
|
Burlington Magazine
Multiple catalogue entries
March 2016
|
Chapter
|
Van Dyck The Anatomy of Portraiture
The first major examination of Anthony van Dyck's work as a portraitist and an essential resource on this aspect of his illustrious career This landmark volume is a comprehensive survey of the portrait drawings, paintings, and prints of ...
The use of goldpoint and silverpoint in the fifteenth century
February 2016
|
Chapter
|
An Eyckian Crucifixion Explored: Ten Essays On A Drawing
SBTMR
The Entombment
January 2016
|
Chapter
|
El Bosco
Metalpoint drawing in the Low Countries
June 2015
|
Journal article
|
CODART
Metalpoint drawings in the Low Countries in the sixteenth and seventeenth centuries
May 2015
|
Chapter
|
Drawing in Silver and Gold: From Leonardo to Jasper Johns
Works drawn from the British Museum's superb collection of metalpoint drawings sit alongside major loans from European and American museums as well as private collections, including four sheets by Leonardo da Vinci from the Royal Collection...
art, SBTMR
Curator’s Choice: Hercules Segers’ Landscape with the Pine Branch’
May 2015
|
Journal article
|
The British Museum Magazine
Dibujar en plata y oro: Hendrick Goltzius fue un avezado expert en la tecnica de la punta metalica’
April 2015
|
Journal article
|
Tendencias del Mercado del Arte
Richard Verdi, ‘Rembrandt’s themes: Life into art’; New Haven and London, 2014
March 2015
|
Journal article
|
The British Museum Magazine
Christopher White and Jane Shoaf Turner, ‘Dutch & Flemish Drawings in the Victoria and Albert Museum’, London, 2014
November 2014
|
Journal article
|
The Arts Newspaper
Dominant Powers
September 2014
|
Journal article
|
The British Museum Magazine
An extraordinary collection in the keeper's office
December 2011
|
Journal article
|
Print Quarterly
SBTMR
Rembrandt?: Cooperative technical examinations of Rembrandt’s Tronies