From Scribble to Cartoon Drawings from Bruegel to Rubens in Flemish Collection
D'HAENE A, D'haene V, Altena SV, Camp AV, Ooteghem SV, Tuinen IV
November 2023
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Chapter
Conste tegen Conste: Drawings as Independent Artworks in the Southern Netherlands
Van Camp A
Edited by:
D'haene, V
October 2023
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Chapter
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From Scribble to Cartoon: Drawings from Bruegel to Rubens in Flemish Collections
drawing
A collection of tapestry cartoons at the Ashmolean Museum in Oxford
Van Camp A
November 2019
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Conference paper
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Le Martyre de saint Paul : Renaissance d’un chef-d’œuvre de papier: Études autour de la restauration d'un carton de tapisserie du XVIe siècle
The Ashmolean Museum in Oxford holds twenty-one fragments of full-sized tapestry cartoons. They were presented to the University of Oxford in 1846 as part of a larger group following a public appeal to acquire Italian drawings from the collection of the British portrait painter Sir Thomas Lawrence (1769–1830). Lawrence had amassed an unrivalled collection of Old Master drawings, including the largest and most important group of Raphael drawings in the world, which is now also at the Ashmolean. Eighteen of the cartoon fragments are preparatory studies for the twelve tapestries of the Scuola Nuova series in the Vatican. The Ashmolean fragments are taken from the full-sized cartoons for the Massacre of the Innocents, the Adoration of the Shepherds, the Adoration of the Magi, the Presentation in the Temple, the Resurrection of Christ and the Ascension of Christ. Three of the fragments, however, cannot be traced to the Scuola Nuova tapestries. These fragments have previously been attributed to a variety of artists, including the Flemish artist Pieter de Kempeneer. This paper will delve deeper into the authorship and the provenance of this astonishing group of cartoon fragments. They will be presented as part of a group of other fragments from the same cartoons, for instance at Christ Church (University of Oxford), the National Galleries of Scotland (Edinburgh), the British Museum and the Foundling Hospital (London).
Young Rembrandt
Van Camp A, Brown C, Vogelaar C
November 2019
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Edited book
Young Rembrandt concentrates on the first ten years of the career of Rembrandt van Rijn (1606-1669). Born in Leiden, he trained there with Isaac van Swanenburg and in Amsterdam with Pieter Lastman. After a short stay in Amsterdam he returned to Leiden and set up a studio where he began his extraordinary career, painting scenes from the Bible and classical mythology and history, as well as a handful of genre scenes and portraits. His progress is remarkable: from the earliest hesitant paintings of the Five Senses in about 1624 to the wonderfully assured Jeremiah of 1630 it is almost possible to trace his development and his increasing fluency and self-confidence from month to month and certainly from year to year. Published to accompany exhibitions at the Lakenhal, Leiden from November 2019 to February 2020, then at the Ashmolean Museum from February to June 2020.
The use of goldpoint and silverpoint in the fifteenth century
Van Camp A
February 2016
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Chapter
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An Eyckian Crucifixion Explored: Ten Essays On A Drawing
SBTMR
Metalpoint drawings in the Low Countries in the sixteenth and seventeenth centuries
Van Camp A
Edited by:
Sell, S, Chapman, H
May 2015
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Chapter
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Drawing in Silver and Gold: From Leonardo to Jasper Johns
Works drawn from the British Museum's superb collection of metalpoint drawings sit alongside major loans from European and American museums as well as private collections, including four sheets by Leonardo da Vinci from the Royal Collection...
art, SBTMR
Rembrandt?: Cooperative technical examinations of Rembrandt’s Tronies
