GERMAN DRAWINGS DIGITAL PROJECT

Albrecht Dürer's design for a table fountain, c. 1500

WA1938.25

About the research project

This nine-month project aims to research and catalogue – through drawings scholarship and digital innovation – over 300 sheets created by draughtsmen in German-speaking countries between 1450 and 1800.  

This group of outstanding works in the Ashmolean Museum’s collection has not yet been fully studied but requires much-needed research into the drawings’ attribution, iconography and function. 

The collection contains drawings by well-known artists such as Albrecht Altdorfer, Albrecht Dürer, Urs Graf, Matthias Grünewald, and Hans Holbein among others.

The Ashmolean’s collection is particularly strong in design drawings, which were intended as preparatory sketches for stained-glass windows, metalwork, silverware, etc.

Despite their exploratory nature, these works rank amongst the greatest examples of German drawings worldwide. 

The project is funded by the Getty Foundation’s The Paper Project: Prints and Drawings Curatorship in the 21st Century, with additional funding from the Oxford|Berlin Research Partnership. The funding enables the Museum to employ a curator for the duration of the project, in addition to making the drawings accessible both to scholars and art lovers worldwide by digital means.

Hans Holbein the Younger's design for the Jane Seymour gold cup, c. 1536

WA1863.424

Research aims: 

Vorsprung durch Design / Progress through Design

The project aims to reactivate our knowledge about the Ashmolean’s collection of German drawings, by organising in-person and virtual knowledge-exchange workshops, bringing together expertise from different disciplines, and developing a digital presentation which connects the drawings with real-life objects from collections around the world. 

Research questions will include:

  • How did the draughtsmen and craftsmen collaborate? 
     
  • Was the function of the drawings as showpieces or preliminary studies?
     
  • Did these drawings circulate from the artist to the production workshops and back? 
     
  • From what stage did the drawings became the focus of collectors? 

Images:
(Top right) Albrecht Dürer, Design for a table fountain, c. 1495–1505, pen and black ink with green, yellow, pinkish-brown and brown washes on laid paper, Ashmolean WA1938.25.
(Bottom right) Hans Holbein the Younger, Design for the Jane Seymour gold cup, c. 1536, pen and black ink with light washes of grey, yellow and pink, heightened with bodycolour in gold, on laid paper, Ashmolean WA1863.424.